Mackie 1402VLZ4 14-channel Compact Analog Low-Noise Mixer w/ 6 ONYX Preamps+Bag

<strong>Package Includes:</strong><ul>(1) New Mackie 1402VLZ4 14-channel Compact Analog Low-Noise Mixer w/ 6 ONYX Preamps</li>(1) Mackie Travel Bag Soft Case For 1402-VLZ3 /1402-VLZ4 Mixer</li></ul><strong>Authorized Mackie Dealer!</strong></p><p><strong>Video of 1402VLZ4:</strong></p><br><br><br><p><strong>Description:</strong></p>UNMATCHED PERFORMANCE</p>Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the “race to the bottom,” VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.</p><p><strong>Features:</strong></p><ul><li>Mackie 1402VLZ4 14-channel Compact Mixer</li><li>14-channel mixer featuring Mackie signature high-headroom/low-noise design</li><li>6 boutique-quality Onyx mic preamps<ul><li>Ultra-wide 60dB gain range</li><li>128.5 dB dynamic range</li><li>+22 dBu line input handling</li><li>Extended frequency response</li><li>Distortion under 0.0007% (20Hz – 50kHz)</li></ul></li><li>Improved RF rejection perfect for broadcast applications</li><li>Phantom power for condenser mics</li><li>14 high-headroom line inputs with +4/-10 operation control</li><li>3-band EQ (80Hz, 2.5kHz, 12kHz)</li><li>18 dB/oct 75Hz low-cut filter on mic input channels</li><li>2 aux sends, level, pan and PFL solo on each channel</li><li>60mm long-wearing log-taper faders</li><li>2 stereo returns for connecting FX processor or other stereo source</li><li>ALT 3/4 stereo bus for added routing flexibility</li><li>Control room / phones source matrix</li><li>High-resolution 12-segment stereo meters</li><li>Sealed rotary control resist dust and grime</li><li>“Built-Like-A-Tank” rugged steel chassis with powder-coat finish</li><li>High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback</li><li>Rack-mountable design using optional rack ear kit</li><li>Multi-voltage power supply for worldwide use</li></ul><p><strong>Details:</strong></p><ul><li>Main Mix Noise</li><li>(20 Hz–20 kHz bandwidth, 1/4"" main out, channels 1-6 gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1, 3 and 5 panned left, 2, 4 and 6 panned right.)</li><li>Main mix fader down, channel faders down: –101 dBu</li><li>Main mix @ unity, channel faders down: –91 dBu</li><li>(95 dB Signal to Noise Ratio, ref +4 dBu)</li><li>Main mix fader @ unity, channel faders @ unity: –86 dBu</li><li>Total Harmonic Distortion (THD): (1 kHz @ 35 dB gain, 20 Hz–20 kHz bandwidth) Mic pre @ insert <0.0007%</li><li>Attenuation / Crosstalk</li></ul><p><strong>Features:</strong></p><ul><li>Highly durable</li><li>1402-VLZ3 / 1402-VLZ4 mixer bag</li><li>Reinforced with chunky foam, tarped corners</li><li>Padded shoulder strap</li><li>Zippered & padded outer pocket</li><li&g

• Features: Mackie 1402VLZ4 14-channel Compact Mixer. 14-channel mixer featuring Mackie signature high-headroom/low-noise design. 6 boutique-quality Onyx mic preamps Ultra-wide 60dB gain range 128.5 dB dynamic range +22 dBu line input handling Extended frequency response Distortion under 0.0007% (20Hz 50kHz). Ultra-wide 60dB gain range. 128.5 dB dynamic range. +22 dBu line input handling. Extended frequency response. Distortion under 0.0007% (20Hz 50kHz)
• Improved RF rejection perfect for broadcast applications. Phantom power for condenser mics. 14 high-headroom line inputs with +4/-10 operation control. 3-band EQ (80Hz, 2.5kHz, 12kHz). 18 dB/oct 75Hz low-cut filter on mic input channels. 2 aux sends, level, pan and PFL solo on each channel. 60mm long-wearing log-taper faders. 2 stereo returns for connecting FX processor or other stereo source. ALT 3/4 stereo bus for added routing flexibility. Control room / phones source matrix
• High-resolution 12-segment stereo meters. Sealed rotary control resist dust and grime. Built-Like-A-Tank rugged steel chassis with powder-coat finish. High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback. Rack-mountable design using optional rack ear kit. Multi-voltage power supply for worldwide use. 6 boutique-quality Onyx mic preamps. Ultra-wide 60dB gain range. 128.5 dB dynamic range. +22 dBu line input handling. Extended frequency response
• Distortion under 0.0007% (20Hz 50kHz). Details: Main Mix Noise. (20 Hz20 kHz bandwidth, 1/4" main out, channels 1-6 gain @ unity, channel EQs flat, all channels assigned to main mix,channels 1, 3 and 5 panned left, 2, 4 and 6 panned right.). Main mix fader down, channel faders down: 101 dBu. Main mix @ unity, channel faders down: 91 dBu. (95 dB Signal to Noise Ratio, ref +4 dBu). Main mix fader @ unity, channel faders @ unity: 86 dBu
• Total Harmonic Distortion (THD): (1 kHz @ 35 dB gain, 20 Hz20 kHz bandwidth) Mic pre @ insert <0.0007%. Attenuation / Crosstalk. (1 kHz relative to 0 dBu, 20 Hz20 kHz bandwidth, line in, 1/4"main out, gain @ unity). Main mix fader down: 100 dBu. Channel Alt / Mute switch engaged: 90 dBu. Channel fader down: 90 dBu. Frequency Response (Mic input to main output (gain @ unity). +0, 1 dB, 20 Hz to 50 kHz. +0, 3 dB, <10 Hz to >100 kHz